image of book cover jesus and john wayne -- blue background, red text, includes american and christian flags at center

Jesus and John Wayne

How White Evangelicals Corrupted a Faith and Fractured a Nation (1st Edition)

Kristin Kobes Du Mez

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Editorial Reviews

Jesus and John Wayne demolishes the myth that Christian nationalists simply held their noses to form a pragmatic alliance with Donald Trump. With brilliant analysis and detailed scholarship, Kristin Kobes Du Mez shows how conservative evangelical leaders have promoted the authoritarian, patriarchal values that have achieved their finest representative in Trump. A stunning exploration of the relationship between modern evangelicalism, militarism, and American masculinity.”

– Katherine Stewart, author of The Power Worshippers: Inside the Dangerous Rise of Religious Nationalism

“Politically, Kristin Kobes Du Mez’s new book, Jesus and John Wayne, offers an extremely important―and underrated―insight into why white evangelicals have fallen so deeply in love with Donald Trump. Personally, and for all of us who lived through this history, the book surfaces deep continuities between different people, events, movements, and trends that we may not have noticed. It is a scholarly work of history, but it is so well written that it promises to be popular with a wide audience. Highly recommended, especially at this critical moment in religious, cultural, and political history.””

– Brian D. McLaren, author of A New Kind of Christianity: Ten Questions That Are Transforming the Faith

“This deeply perceptive book establishes Kristin Kobes Du Mez as the Christian critic of this crisis moment. She demonstrates how a certain warrior fantasy saturated white evangelicalism and decided American elections. Along the way, we discover how our political life became defined by the conjunction of religion and popular culture. Required reading.”

– Kathryn Lofton, Yale University, author of Consuming Religion


A scholar of American Christianity presents a seventy-five-year history of evangelicalism that identifies the forces that have turned Donald Trump into a hero of the Religious Right.

How did a libertine who lacks even the most basic knowledge of the Christian faith win 81 percent of the white evangelical vote in 2016? And why have white evangelicals become a presidential reprobate’s staunchest supporters? These are among the questions acclaimed historian Kristin Kobes Du Mez asks in Jesus and John Wayne, which delves beyond facile headlines to explain how white evangelicals have brought us to our fractured political moment. Challenging the commonly held assumption that the “moral majority” backed Donald Trump for purely pragmatic reasons, Du Mez reveals that Donald Trump in fact represents the fulfillment, rather than the betrayal, of white evangelicals’ most deeply held values.

Jesus and John Wayne is a sweeping account of the last seventy-five years of white evangelicalism, showing how American evangelicals have worked for decades to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism?or in the words of one modern chaplain, with “a spiritual badass.” As Du Mez explains, the key to understanding this transformation is to recognize the role of culture in modern American evangelicalism. Many of today’s evangelicals may not be theologically astute, but they know their VeggieTales, they’ve read John Eldredge’s Wild at Heart, and they learned about purity before they learned about sex―and they have a silver ring to prove it. Evangelical books, films, music, clothing, and merchandise shape the beliefs of millions. And evangelical popular culture is teeming with muscular heroes―mythical warriors and rugged soldiers, men like Oliver North, Ronald Reagan, Mel Gibson, and the Duck Dynasty clan, who assert white masculine power in defense of “Christian America.” Chief among these evangelical legends is John Wayne, an icon of a lost time when men were uncowed by political correctness, unafraid to tell it like it was, and did what needed to be done.

Trump, in other words, is hardly the first flashy celebrity to capture evangelicals’ hearts and minds, nor is he the first strongman to promise evangelicals protection and power. Indeed, the values and viewpoints at the heart of white evangelicalism today―patriarchy, authoritarian rule, aggressive foreign policy, fear of Islam, ambivalence toward #MeToo, and opposition to Black Lives Matter and the LGBTQ community―are likely to persist long after Trump leaves office.

A much-needed reexamination, Jesus and John Wayne explains why evangelicals have rallied behind the least-Christian president in American history and how they have transformed their faith in the process, with enduring consequences for all of us.

15 black-and-white illustrations


Publisher: Liveright Publishing | W.W. Norton & Company
Date: Expected 2020

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About Liveright

Liveright Publishing Corporation grew out of the storied Boni & Liveright press, one of the most important publishers of the early twentieth century. Under the editorial guidance of Horace Liveright the firm captured the flowering literature of the 1920s and 1930s, publishing some of the most celebrated American writers of the period, including William Faulkner, Ernest Hemingway, Sherwood Anderson, Gertrude Stein, Anita Loos, and Theodore Dreiser. Alongside these great authors were poets of equal prominence, such as Ezra Pound, T.S. Eliot, E.E. Cummings, Hart Crane, Hilda Doolittle (H.D.) and Robinson Jeffers, as well as founding members of the Harlem Renaissance and European intellectuals such as Sigmund Freud and Bertrand Russell. In choosing titles for publication, Horace Liveright sought out writers whose works, he hoped, would stand the test of time. As a result, a disproportionately high number of writers that the house signed up became foundational forces of modern literature and culture.

Though no original titles had been published bearing the distinctive cowled monk colophon of Liveright for many years, W.W. Norton & Company, in 2012, re-launched the storied imprint, producing an inaugural catalog of publications sure to once again secure Liveright as a pre-eminent publisher of the finest literature. Maintaining its historical high standards and progressive literary sensibilities in both fiction and nonfiction, the revived Liveright imprint releases have included a trenchant political commentary by Gail Collins (As Texas Goes…), a magisterial and provocative new work by biologist Edward O. Wilson (The Social Conquest of Earth), the long-awaited George Orwell Diaries, and republications of out-of-print classics by J.G. Ballard, such as The Drowned World and Millennium People. In addition, Liveright Publishing of the twenty-first century will continue to print classics from the twentieth century catalog, including works by Faulkner, Stein, Cummings, Crane, Loos, Freud, Russell, and many more.

Like W.W. Norton, in its modern incarnation Liveright will be a home for outstanding works that define and redefine our culture, just as do the works published by Horace Liveright so many years ago continue, works that continue to provoke interest and inspire readers around the world.

W.W. Norton Affiliate Content Website

Publication News

Preorder Now:

Book release date now May 19, 2020. Title will be released June 23, 2020. Available for preorder here and wherever books are sold.

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Kristin Kobes Du Mez

Kristin Kobes Du Mez is professor of History and Gender Studies at Calvin College. She received a Ph.D. in American Religious History from the University of Notre Dame. Her research interests include the intersection of religion, gender, and sexuality in American history, with a particular focus on women in American Protestantism from the nineteenth century to the present.